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These quieter, more subdued artifacts somehow seem to say a lot about our experience, but when taking on this music, there is an urgency that portrays life in the city, life as a punk, life as of now.
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In the nearly forty years since the term was coined Boston, Southern California, New York City, and even Cleveland and suburban New Jersey have laid claim to the mantle of straight edge hardcore mecca. Protester emerged about five years ago as a one-man-band, a study in the isolation that such a lifestyle inevitably leads to. Free of the empty anthems and melodic intrusions of the worst of the genre, “Hide From Reality” is equally informed by the more nihilistic side of punk while retaining the harder edge of the fiercest in their class.
“Hide From Reality”, their debut LP and first release as a full band, is their definitive statement as a group ready to raise the profile of D. With the top grade musicianship that only years on the road can bring, this record forcefully asserts their place at the top of the heap.
“Not in a, ‘I had sex with a corpse on top of a pile…’ nonsense way—actually real, shocking stuff. “I knew she wasn’t a traditional producer,” Korvette says of Lunch. “A crucial thing, I think, for being a Pissed Jeans fan is just stemming from what I would take away from punk, which is, ‘Question things and think about things,’” says Korvette.
“Don’t just go to the office and get the same coffee. Just question yourself a little bit if you can.” Washington, D. may be the birthplace of the straight edge philosophy as articulated in song, but it certainly hasn’t been the wellspring of straight edge hardcore that many would think it would be. would sporadically spit out a band or two, but never one able to lead the way on the national scene while maintaining the root elements of this distinct musical tradition.
“Violence keeps me up at night,” Vocalist, Michael Bingham repeats.Spiritual Cramp comes to the Bay Area in a time of need.San Francisco has always been a haven for artists, musicians, punks & freaks.“It seems so weird.” As they did on their last album, 2013’s Honeys, Pissed Jeans offer a couple of “fuck that shit type songs” about the working world, with the blistering “Worldwide Marine Asset Financial Analyst” turning unwieldy job titles into sneering punk choruses and “Have You Ever Been Furniture” waving a flag for those whose job descriptions might as well be summed up by “professionally underappreciated.” And the startling “I’m A Man,” which comes at the album’s midpoint, finds author Lindsay Hunter (Ugly Girls) taking center stage, delivering a self-penned monologue of W. Mason-inspired erotica—office small talk about pens and coffee given just enough of a twist to expose its filthy underside, with Hunter adopting a grimacing menace that makes its depiction of curdled masculinity even more harrowing. I’m not really sure what that entails, but I know she probably wasn’t joking. It was a perfect combination of a technical wizard and a psychic mentor who guided the ship.” The combination of Lunch’s spiritual guidance and Rizk’s technical prowess supercharged Pissed Jeans, and the bracing Why Love Now documents them at their grimy, grinning best.
“Lindsay Hunter is what I would aspire for Pissed Jeans to be—just a real, ugly realness that’s shocking,” says Korvette. We’re in the same camp.” No Wave legend Lydia Lunch shacked up in Philadelphia to produce “Why Love Now” alongside local metal legend Arthur Rizk (Eternal Champion, Goat Semen). While its references may be very early-21st-century, its willingness to state its case cements it as an album in line with punk’s tradition of turning norms on their heads and shaking them loose.The crushing “Ignorecam” twists the idea of fetish cam shows—”where the woman just ignores you and watches TV or eats macaroni and cheese or talks on the phone”—into a showcase for Korvette’s rancid yelp and his bandmates’ pummeling rock.